The main guy behind Earth City Recordz is Muhammad
Hamzah. I’ve been following him via social media for a while now and it’s
unlikely there’s a harder working artist-producer-DJ-social and/or political
commentator out there. His output as an artist working under the Celt Islam and
The Analogue Fakir monikers, both live and in the studio, is prolific, and he’s
relentless at supporting the work of other artists, getting it out there, in
whatever form, wherever, and whenever he can.
As label samplers go, FuTuRe SoUnD Of ThE UnDeRGrOuNd
VoL 3 is a very generous listen at 23 tracks over the course of more than 130
minutes, it showcases a wide range of artists, and features a genuine hybrid of
styles. And just like Celt Islam’s best work, there’s a borderless feel about
much of this compilation, as you’d tend to expect from such an ethnically
diverse mash of nationalities coming together in the name of dub.
Yet to call it dub and stick such a singular label on
it fails to give the compilation, or the label, the credit it deserves. Yes,
dub, or transnational dub, does appeal as an ideal catch-all, but there’s also large
portions of electro, some EDM-indebted stuff, some drum’nbass, dubstep, plus super-sized
chunks of that thing we call “world music”.
The highlights are spread fairly evenly across the 23
tracks, the best of which are: MasterMind XS - ‘Far From Here’, Celt Islam -
‘Beyond’, Samia Farah - ‘Al Shams’, Mosienko Project - ‘Kings Valley Dub’, Vel
Curve - ‘Tribal Dub’, Oenky & Tompafly - ‘Solitude In Darkness’, 4bstr4ck3r
- ‘Mental Stabber’, Demon Dubz - ‘Don’t Stop’, and The Analogue Fakir closes the
album with ‘Retro Box’.
Earth City Recordz on Bandcamp
Earth City Recordz on Facebook
And here’s Celt Islam:
album where all musical or lyrical ideas contribute to a single overall theme or unified story. Absolutely amazing, we can not be more thankful for all the albums we have played for and all the people we have met throughout our whole journey of playing.
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