Showing posts with label Q&A. Show all posts
Showing posts with label Q&A. Show all posts

Sunday, June 6, 2021

The Tron's Penultimate Sonic Ensemble of One

Hamilton-based retro-electro producer Terrorball has had a busy start to 2021, with four new releases uploaded to his Bandcamp page in the past couple of months. 

I've covered off a fair few of his releases in the past, but for an introductory ‘just who is Terrorball?’ overview, this Q&A (here) from back in 2016 is probably as good a place to start as any.

Or better still, download all four 2021 releases from the Terrorball Bandcamp page, and you’ll get some idea of what I’m on about. If you enjoy them, go back further and explore the rest of his (earlier) catalogue. Maybe even flick him some coin. The most recent releases are as follows:

BJRD (here) … or “bass jazz rhythm drop”, a ten track album, released in early April, with highlights including ‘Firebirds’ and the sample-fried delights of ‘Turntable’.

2010 – 2021 (here) … exactly what it says on the tin, if there was an actual tin, this is a 28-track sampler collection of tracks extracted from previous releases, spanning more than a decade. As such, this may actually be the ideal starting point for any newbies.

Dimension X (here) … I’ve listened to most of his work at some point or other over the past half dozen years, and I think this is one of his best sets yet. Highlights: ‘Horizon’, ‘Fiend Zone’, and ‘Tactical Strike’.   

Heavy Atmosphere 4 (here) … the fourth and latest instalment of his edit series where he adds a Terrorball spin to the work of others. As much as the world probably didn’t need yet another mix of The Shapeshifters’ ‘Lola’s Theme’ in 2021, this one is actually quite decent.

All of the above are well worth your time if you’ve got a weakness for all things funky and retro.

Wednesday, June 29, 2016

Rumblings from the Nuclear Bunker: Q & A with Terrorball

I tracked down Hamilton-based electro funk producer Terrorball (aka Gareth Pemberton) and asked him 10 quickfire questions about music and life in the bunker:

In one sentence, who or what is Terrorball?

It's the name I've been releasing music under since 2011.

What motivated the Cold War themes found on (latest album) How I Learned To Stop Worrying?

I managed to catch the end of the Cold War as a kid so I've always been fascinated by that period. I'm interested in the paranoia of the time and the propaganda pumped out by both sides.

Your music has a strong retro feel, who or what are its biggest influences?

My main influences are stuff like older Daft Punk, Justice, and Yasutaka Nakata, who produces music for the group Perfume. Also Jeff Wayne's War Of The Worlds album has always been a favourite.
 
You've got nine albums up for grabs as name-your-price downloads on Bandcamp, are there any plans for a physical CD or vinyl release in the future?

No, though I would love to release something on vinyl.

Does Terrorball operate in a live capacity at all? If not, are there any plans afoot to expand the scope of your work?

Not at the moment but I've been collaborating with someone on some stuff, and hopefully we'll be doing some live shows in the near future, under the name Lobot.

What is the one instrument/piece of equipment or production tool you can't live without?

Ableton Live.

What is the best piece of music-related advice you've ever been given?

Learn to listen.

When the nuclear holocaust hits, what three desert island discs will you take to the bunker?

Daft Punk - Alive 2007, The Beatles - White Album, and Jeff Wayne's War Of The Worlds.

Name one local/NZ artist the world needs to know about?

Kadington.


Complete this sentence: the best thing about living in Hamilton is ...

... the smell.
 

Here's a clip from How I Learned To Stop Worrying: