Showing posts with label Tami Neilson. Show all posts
Showing posts with label Tami Neilson. Show all posts
Wednesday, December 11, 2019
Choice Kiwi Cuts 2019: Tami Neilson - Ten Tonne Truck
I’m usually a bit
of a genre snob, as you probably know, with country music way down on my list
of preferences. Yet I saw Tami Neilson play a live gig in Wellington a few
years ago and was blown away by her performance. Such a great voice and stage
presence. Aotearoa has always produced its fair share of decent country artists
but I’m certain, as the decades pass, there’ll be a point in the future when we
look back and declare Neilson our very own Queen of the genre. She’s more than
just country though – throw in helpings of blues, rockabilly, and some old
fashioned rock n roll. ‘Ten Tonne Truck’ contains elements of all the above,
and it was the third and most recent single taster from her forthcoming album,
Chickaboom. Look out for that release in early 2020.
Thursday, March 17, 2016
Gig Review: Tami Neilson, San Fran, Wellington, 11 March 2016
Tami Neilson is not an artist I'm all that familiar
with, but thanks to the generosity of Neilson herself, and Simon over at the
Off The Tracks blog, I was able to catch New Zealand's reigning Queen of
Country right at the top of her game last Friday night at Wellington's San
Fran. It wasn't a gig I'd initially earmarked as a "must attend", but
I’d been curious about Neilson’s music for some time, and the complimentary double
pass made it a no brainer.
I really didn't need too much convincing. I knew
enough to know that Neilson's back story is quite remarkable by local
standards: raised in Canada, growing up trekking around North America with her
parents - as part of the Johnny Cash-supporting Neilson family band - then settling
in NZ nearly a decade ago, before going on to establish herself as an immense
solo talent. A chart-topping, silver scroll and multiple Tui award-winning
solo talent, no less.
The highlights included a couple of walk-on
appearances; the first from local luminary Jeremy Taylor who helped out on
‘Lonely’, the popular duet Neilson recorded with (the absent rising star)
Marlon Williams, while the second featured the thumb-picking or “flatpicker” guitar
technique of onetime band member Mark Mazengarb, who joined her on stage,
direct from the audience, for a couple of older tracks.
Saving the best until last, Neilson completed her well-received encore with a Big Mama Thornton-inspired take on ‘Hound Dog’, one that differs markedly from the more popular Elvis Presley version - a slower, brooding, dirty/bluesy interpretation. A take that was far more indebted to old style rhythm n blues than classic rock n roll.
I’m fairly certain this particular San Fran gig was not part of the greater Arts Festival currently gracing various Wellington venues - more part of a short national tour - yet it was quite noticeable that the audience for Tami Neilson was not a regular San Fran-type crowd. Or even a regular Friday night crowd. The demographic was generally older and somewhat more stylishly dressed. It felt like something of an occasion even - it was certainly a birthday celebration for one of the band members (singalong, cake, and all), so perhaps it was simply that? ... post-gig, a class act to the end, Neilson made herself available to those exiting the venue, standing at the top of the stairs, smiling, chatting, and signing items as the assembled throng made its way past, heading out into the warm autumnal Friday night air …
It's easy to see why she's been so successful - not
only does she possess a great voice, her song-writing is top drawer, and her
stagecraft is as thoroughly professional as her band is tight.
It doesn't feel quite right lumping her purely under
the "country" banner however. Sure, the likes of Patsy (Cline) and
Wanda (Jackson) provide for fairly accurate and well-worn reference points, but
there's shades of others in there too, and Neilson's particular brand of honky
tonk effortlessly crossed over into soul, rockabilly, and even some swampy
blues rock at various points over the course of her set. And while the key to
that versatility and the glue to her performance was surely her “Hot Rockin’
band of Rhythm”, Neilson remained the consummate star throughout the near 90-minute
set of covers and originals.
Saving the best until last, Neilson completed her well-received encore with a Big Mama Thornton-inspired take on ‘Hound Dog’, one that differs markedly from the more popular Elvis Presley version - a slower, brooding, dirty/bluesy interpretation. A take that was far more indebted to old style rhythm n blues than classic rock n roll.
I’m fairly certain this particular San Fran gig was not part of the greater Arts Festival currently gracing various Wellington venues - more part of a short national tour - yet it was quite noticeable that the audience for Tami Neilson was not a regular San Fran-type crowd. Or even a regular Friday night crowd. The demographic was generally older and somewhat more stylishly dressed. It felt like something of an occasion even - it was certainly a birthday celebration for one of the band members (singalong, cake, and all), so perhaps it was simply that? ... post-gig, a class act to the end, Neilson made herself available to those exiting the venue, standing at the top of the stairs, smiling, chatting, and signing items as the assembled throng made its way past, heading out into the warm autumnal Friday night air …
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