It
was the Force Majeure tour that brought heel-wearing English comedian Eddie
Izzard to Wellington for the fourth time last weekend. I was lucky enough to have
caught his act on one other occasion, at the State Opera House, way back in
2003. His other visits to the capital came in 2000, as part of the Laugh!
Festival, and more recently in 2011, when his Stripped tour brought him to the
St James Theatre. I was at the MFC last Sunday night, alongside a near full
house, which followed a sold out Saturday night show at the same venue.
I
worried pre-gig that I'd watched too much Eddie Izzard concert footage over the
years and I'd be a little too familiar with some of his material. That turned
out to be an unfounded fear - there was a crossover of some themes, and one or
two specific topics (cake, ice cream), but this was mostly all new material.
Knowing
what to expect from Izzard may actually be an advantage - any newbie might be
inclined to wonder if he'll ever get to the point or reveal the punchline, but
Izzard's clever and seemingly random stream of consciousness rambling
frequently offers up some of his best work. Sunday night was no exception.
Historical
figures - ranging from the diverse old-timer likes of Genghis Khan and Charles 1
to relatively contemporary figures like Hitler and Maggie Thatcher - provided
Izzard with plenty of quality material, each crossing over (to one extent or
another) into the twin themes of politics and religion. And when it comes to
comedy, subject matter seldom comes much richer than that.
There
were elements of physical comedy in Izzard's act but mostly it was all about
intelligent observational humour. There were short segments in French and
German, reminders that Izzard is multilingual, and that he’s performed entire
shows in those languages in the past.
I wasn’t surprised to hear Izzard confirm his
intention to enter politics, with the race for the 2020 London mayoralty likely
to present him with his initial fresh challenge in that sphere. He’s achieved
just about everything there is to achieve as a performance artist, not only as
a stand-up, but also through a wide range of television and film roles. His
energy and thirst to “make a difference” (man) apparently knows no bounds.
Anybody
who - as a complete novice - can run 43 marathons in 51 days (as Izzard did a
few years back) to raise money for Comic Relief, demonstrates a level of
determination most of us can only dream about. You might even conclude he’s
driven by some kind of superior force …
So
it was a pretty sweet couple of hours in Izzard’s company on Sunday night, even
with the odd fluffed line and one or two relatively flat moments, knowing that
at some point in the near future he’ll just as likely be lost to the stage forever.
No comments:
Post a Comment