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Scratch beneath
that surface however and you soon discover why The Smiths were (and are) held
in such high regard. The sheer genius of Morrissey’s lyrics (for the most
part), the often controversial and socially/politically challenging nature of
those very songs, plus the brilliance of Johnny Marr’s music/guitar – just for
starters – would prove an irresistible formula long after the band hit its own
self-imposed use-by date in 1987.
And then of course
there are all of those compilation albums … something that undoubtedly added
gloss to not only the band’s discography, but it’s almost flawless reputation.
Excluding the Singles Box Set or rare Japanese imports and albums of that ilk,
I can count at least nine compilation albums (* see below) issued under the
band’s name, the first (and best) of which was the excellent Hatful of Hollow,
released just weeks after the self-titled debut.
Hatful of Hollow
is essentially a collection of early BBC sessions (from 1983 and 1984), a few
non-album singles, and an assortment of b-sides. Basically it is a kind of
hodge-podge mix of early recordings; a key selling point being the different
versions of not only those singles, but also the associated b-sides. Many
hardcore fans of the band consider a number of these versions to be superior to
those found elsewhere.Highlights: ‘What Difference Does It Make’, the seminal ‘How Soon Is Now’ (believe it or not, originally a b-side), ‘Hand in Glove’, ‘This Charming Man’, ‘Heaven Knows I’m Miserable Now’, ‘William, It Was Really Nothing’, ‘Accept Yourself’, plus my own favourite, ‘Back To The Old House’ … and more!
* Nine compilation albums of The Smiths: Hatful of Hollow, The World Won’t Listen, Louder Than Bombs, Rank (the band’s only official live album), two volumes of The Best Of (1 & 2), Singles, The Very Best Of, and more recently, The Sound Of The Smiths … phew!
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