Sunday, April 18, 2021

Album Review: Sounds Like Winter – Fight the Stairs (2021)

Fight the Stairs is full-length album number three for Sydney-based four piece Sounds Like Winter, following on from Initiate (2016), and Sticks and Stones (2017). There was also a collaborative three-way split release with Melbourne’s Ikon, and Wellington-based post-punkers Disjecta Membra a few years back, which coincided with a short local tour. A release that got a fair bit of ear time at the everythingsgonegreen manor.

And despite having read a few profiles or features on Sounds Like Winter in the past which reference the likes of Joy Division and compatriots the Birthday Party as obvious markers for the band’s sound, I’d like to throw a couple more of my own into the mix … Sounds Like Winter sound a lot like Magazine, or perhaps even an early incarnation of Psychedelic Furs (less so).

I think I hear a little more Howard Devoto or Richard Butler in Ant Banister’s lead vocal than I do Ian Curtis, but there’s no question those Joy Division comparisons are valid when it comes to the rest of the band’s formula. This is post-punk of a distinctly 80s bent, and while it does sit at the darker end of that spectrum, it’s not so dark that it doesn’t contain the odd shaft of light peeking through the gloom. Not unlike Sydney in winter.

There’s no singular theme behind the lyrics found on Fight the Stairs, other than perhaps post-punk perennials like “the human condition and all of its many flaws” or “contempt for much of what modern life throws at us”, the song writing is strong across all ten tracks and there’s a nice pace through the album when listening to it in one sitting from start to finish. There’s a balance of fast and slower tracks, carefully arranged so as to never become too weighty or overwhelming - which is something I often struggle with when it comes to albums within this genre.

Musically, it’s an unrepentantly retro affair; compact, tight, and polished, but not to the point that there’s no 21st century grit left in the mix. There’s no obvious filler over the course of its 45 minute runtime, with highlights including ‘The Monsters’, ‘No Interest’, and ‘He Was Gone’. 

Bandcamp link here.

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