This one, Blondie’s ‘Dreaming’, was a
relatively late addition to my own collection and it landed in my lap more by
accident than by design. But I love it, just as I loved the tune when it was
first released (although evidently not enough to have picked up a copy back
then).
In 2009, when my significant other was
celebrating a significant birthday, we decided to have a birthday meal at a
local tapas bar with a group of friends. After the meal we would all (most of
the group, at least) head up to San Fran (bar) on Wellington’s Cuba Street for a night of 80s new wave nostalgia at the popular retro night, Atomic. The 80s was
the wider theme of the “party”, and we decided it would be fun to
thank those who joined our celebration by presenting each person with either a 1970s
or 1980s-themed vinyl single. We spent that afternoon rifling through the large
selection of preloved vinyl at Real Groovy Records to select appropriate
records to hand out later in the night. Everyone loved the gesture, a bit of
swapping went on, but come the end of the night we found ourselves in
possession of two “unclaimed” records – Blondie’s picture-sleeve ‘Dreaming’ 45,
and something far less memorable by 80s chart-rockers Reo Speedwagon.
I was quietly chuffed that of all the records purchased
that day, I personally would be able to take home the Blondie 45. By default,
on account of it being left behind.
As good as it undoubtedly is - good enough
to peak at number two on the UK singles chart - it is baffling to me today that
‘Dreaming’ was chosen as the lead single off the band’s 1979 album Eat To The
Beat, when you consider that’s the album which eventually spawned the number
one hit single, ‘Atomic’. In fact, ‘Atomic’ was merely the fourth single
released from the album, following ‘Dreaming’, ‘Union City Blue’, and the
forgettable non-charting ‘The Hardest Part’ … indeed, ‘Atomic’ appears to have
been released only as a very belated afterthought, midway through 1980, perhaps
to follow-up or cash in on the success of the non-album single ‘Call Me’ (off the American
Gigolo OST), which hit number one earlier that year.
Apparently inspired by Abba’s ‘Dancing
Queen’, the live-in-the-studio take of ‘Dreaming’ as released, is pretty decent,
and it highlights, more than any other Blondie single, how crucial the frenetic
stick work of drummer Clem Burke was to the band’s overall sound. Yet oddly, in
reference to the track’s failure to hit number one, and more generally its lack
of global impact, Burke believes his drumming held the song back:
“The reason why ‘Dreaming’ came out the way it did is because (producer) Mike Chapman really gave me free rein and it was really a surprise. That take of ‘Dreaming’ was just me kind of blowing through the song. It's not like I expected that to be THE take. I was consciously overplaying just for the sake of it because it was a run-through. I always say ‘Dreaming’ would have been a bigger hit had I not played like that. It was Top 40, but it was never a huge hit.”
“The reason why ‘Dreaming’ came out the way it did is because (producer) Mike Chapman really gave me free rein and it was really a surprise. That take of ‘Dreaming’ was just me kind of blowing through the song. It's not like I expected that to be THE take. I was consciously overplaying just for the sake of it because it was a run-through. I always say ‘Dreaming’ would have been a bigger hit had I not played like that. It was Top 40, but it was never a huge hit.”
Burke is clearly downplaying the
significance of reaching number two in the UK. The single reached number 27 on
the Billboard charts, and it peaked at number nine here in New Zealand.
But more than anything else, my copy is a permanent reminder of a special night out with friends.
Eat To The Beat's ‘Sound-A-Sleep’ is on the flip.
But more than anything else, my copy is a permanent reminder of a special night out with friends.
Eat To The Beat's ‘Sound-A-Sleep’ is on the flip.
(The Vinyl Files is a short series of posts
covering the best items in your blogger’s not very extensive vinyl collection)
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