Tuesday, July 30, 2019

The Vinyl Files Part 4 … Keith Le Blanc - Stranger Than Fiction (1989)

I’ve blogged about Keith Le Blanc and this album before, but since the The Vinyl Files is all about the black magic plastic stuff, and the small fact that this record itself has survived a couple of major vinyl collection culls, then a few more words won’t matter too much. 

Keith Le Blanc is the World’s Best Drummer You’ve Probably Never Heard Of ... yet, if you’ve listened to any of the Sugar Hill label’s pioneering hip hop of the early 80s (see Grandmaster Flash), any Tackhead, or any On-U Sound stuff, then the chances are, you’ve heard Keith Le Blanc ... even if you haven’t heard of him. 

He’s more than just a drummer. He’s a label owner, a producer, a programmer, and session musician extraordinaire. He’s worked with some of the best in the business for nigh on 40 years.


Le Blanc’s 1986 album, Major Malfunction, which deals with themes relating to that year’s Challenger (space mission) disaster, is frequently cited as his best solo work, but Stranger Than Fiction is my own favourite release for the way it best documents his obsession with sampling and cut-up beats. 

The album is perhaps a little dated these days, but back in 1990 and 1991 when I was consuming this album on a regular basis - more regularly than might have been healthy given its relatively subversive content and harsh industrial edge - this work was state-of-the-art. 

Stranger Than Fiction never made much of an impact in a commercial sense, but there’s a raft of underground or cult Le Blanc devotees out there, and it’s almost certainly the only record ever made where you’ll find voice samples of historical figures as diverse as Albert Einstein and X-rated comedian Lenny Bruce nestling comfortably alongside each other. 

(The Vinyl Files is a short series of posts covering the best items in your blogger’s not very extensive vinyl collection)

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