I’ve blogged about
Keith Le Blanc and this album before, but since the The Vinyl Files is all
about the black magic plastic stuff, and the small fact that this record itself
has survived a couple of major vinyl collection culls, then a few more
words won’t matter too much.
Keith Le Blanc is
the World’s Best Drummer You’ve Probably Never Heard Of ... yet, if you’ve
listened to any of the Sugar Hill label’s pioneering hip hop of the early 80s
(see Grandmaster Flash), any Tackhead, or any On-U Sound stuff, then the chances
are, you’ve heard Keith Le Blanc ... even if you haven’t heard of him.
He’s more than
just a drummer. He’s a label owner, a producer, a programmer, and session
musician extraordinaire. He’s worked with some of the best in the business for nigh
on 40 years.
Le Blanc’s 1986
album, Major Malfunction, which deals with themes relating to that year’s
Challenger (space mission) disaster, is frequently cited as his best solo work,
but Stranger Than Fiction is my own favourite release for the way it best documents
his obsession with sampling and cut-up beats.
The album is perhaps
a little dated these days, but back in 1990 and 1991 when I was consuming this
album on a regular basis - more regularly than might have been healthy given its
relatively subversive content and harsh industrial edge - this work was state-of-the-art.
Stranger Than
Fiction never made much of an impact in a commercial sense, but there’s a raft
of underground or cult Le Blanc devotees out there, and it’s almost certainly
the only record ever made where you’ll find voice samples of historical figures
as diverse as Albert Einstein and X-rated comedian Lenny Bruce nestling comfortably
alongside each other.
(The Vinyl Files
is a short series of posts covering the best items in your blogger’s not very
extensive vinyl collection)
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