Tuesday, October 16, 2018

Classic Album Review: OST - Saturday Night Fever (1977)

Often primarily thought of as a Bee Gees album, the Saturday Night Fever OST is right up there as one of the most important soundtrack releases of the Seventies (if not beyond). 

Important, not only because it revived – in no uncertain terms – the flagging career of one of the best vocal groups ever heard around these parts, and not only because it includes three of the decade’s biggest-selling singles in ‘Night Fever’, ‘Stayin’ Alive’, and ‘How Deep Is Your Love’, but important because it was the album that finally moved the disco genre out of a few select and exclusive New York clubs to transport it firmly into the (global) mainstream. And let’s face it, despite John Travolta’s best dance moves, the movie itself was always unlikely to achieve such a feat on its own. In fact, seldom can any soundtrack have sold so many movie tickets.


The three aforementioned singles are obvious highlights, and the Gibb brothers culled a couple of tracks from earlier albums – such as ‘Jive Talkin’ off Main Course (1975), and ‘You Should Be Dancing’ off Children Of The World (1976) – to completely overshadow the best of the rest and effectively claim the album as one of their own. 

Other disco-era luminaries like Kool & The Gang, KC & The Sunshine Band, Tavares, Yvonne Elliman, and The Trammps all feature here, with varying degrees of quality control. 

For all of that, listening to the album in its entirety without resorting to the skip button can be extremely hard work indeed. Mainly on account of some of the symphonic tat sprinkled liberally throughout – the David Shire stuff and the like, cheesing us out in much the same way watching an old episode of the Love Boat would. But hey, it is a soundtrack, and those instrumental interludes are surely right there in the movie, so that is what we get. 

However, none of the negative points can detract from the fact that Saturday Night Fever remains a landmark release, even today, more than 40 years later. Not so much critically, but certainly commercially, and as much as I’ve tried to shake them, many of my own high school memories remain inextricably linked with this album, and that of the Grease OST a year or so later. 

Yeah, I know, I know … but there’s not much I can do about it now is there?

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