The group has long been
considered the leading purveyor of that bastardised genre frequently referred
to as “trip hop”. You could say the original Wild Bunch/Massive crew defined the
sub-genre with the critically-acclaimed Blue Lines album back in 1991. According
to the evidence offered on Ritual Spirit, it’s a path Massive Attack continues
to traverse today, and its heady concoction of hip hop, electronica, and funk remains
as innovative as ever.
Neneh Cherry, Shara Nelson, Tracey Thorn, and Horace Andy are just a few of the more high profile names to have worked with the group over the past quarter of a century, and that longstanding commitment to musical collaboration continues on Ritual Spirit.
Neneh Cherry, Shara Nelson, Tracey Thorn, and Horace Andy are just a few of the more high profile names to have worked with the group over the past quarter of a century, and that longstanding commitment to musical collaboration continues on Ritual Spirit.
While the core input comes from
Wild Bunch originals Robert Del Naja (“3D”) and Grant Marshall (“Daddy G”),
there’s a real sense of déjà vu when Tricky (aka Adrian Thaws) returns for the
first time in yonks on EP closer ‘Take It There’.
Similarly, Ninja Tune veteran
Roots Manuva, arguably the UK’s most consistent or reliable go-to rapper across
two full decades, appears on opener ‘Dead Editors’, while relative newcomers
Azekel (on the title track) and Young Fathers (on ‘Voodoo In My Blood’) round
out the guest co-conspirators this time out.
The latter being a rather unique
and rarely spotted thing – a Mercury Prize-winning hip hop trio from Edinburgh.
Thematically and musically,
Ritual Spirit is no great departure from what we’ve come to expect – an
electro/hip hop vibe which fair drips with paranoia and angst. It’s dark and
dense. Creepy and bit chilling. Close and claustrophobic. Yet not to the point of
becoming unlistenable or at the expense of any of its natural groove.
It’s a trippy contrast in forms
and shapes, and one that might have been better reconciled with a softer vocal
presence on occasion. A Shara Nelson or a Horace Andy, say. Just to remove its
harshest edge. Or something else to give it the lightness of touch it perhaps otherwise
lacks.
Or maybe not. That’s picky. And
a bit too nostalgic. The bar’s always been set fairly high for Massive Attack,
and the truth is that while Ritual Spirit might not be perfect, by 2016
standards, it stacks up pretty well.
Here’s the title track,
featuring Azekel:
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