Then, in November of
2013, this follow-up full-length release arrived to very little fanfare, but
Subconscious is every bit as good as its predecessor, and just quietly, it may
actually be a little bit better. Again Miller gets the album title just right –
sub as in bass heavy, conscious as in “conscious roots” ... perfect for the
increasingly popular dubby hybrid Radikal Guru specialises in.
Radikal Guru started
releasing music back in 2008, with a series of inspired vinyl releases on the
UK-based Dubbed Out Records label, before moving on to Moonshine Recordings,
the label responsible for this release (and for that of The Rootstepa).
Throughout the past half dozen years or so he’s simultaneously established a
reputation for being a big live draw at various roots and dub-related
festivals, as well as performing as a regular working DJ on the club circuit(s) across
Europe.
But it’s also fair to
say that beyond the confines of the roots-meets-dubstep production niche, he’s
a relative unknown to the wider record buying public. Barring a serious shift
in popular music trends that won’t change anytime soon, so Radikal Guru just
carries on doing what he likes, picking up a growing army of followers who tend
to like everything he does.
Again, as with
The Rootstepa, Subconscious is relatively light on vocal contributions – Echo Ranks
features on ‘Warning!’, YT on ‘Stay Calm’, and Dan Man on ‘Know Yourself’ – but
I think that’s a good thing. It allows for vast swathes of space in the music,
which Radikal Guru uses to apply his special touch – loops, vocal samples, echoes,
horns/brass, and all manner of digi-dub FX.
The surprising lack of
melodica this time out does nothing to dull the sense that Subconscious still
draws its primary inspiration from true Jamaican roots music, for all of the
modern technology at play in its production. And I still struggle with the
notion that Radikal Guru is producing this stuff from his mainland Europe
location and not the island of its muse.
There’s a feeling that
the album slowly builds in intensity the further it progresses, ‘Wicked Dub’
providing an almost upbeat celebratory climax, after the floaty skank and
additional textures of mid-album cuts like ‘Spaced Out’, ‘Outernational’, and
the pretty damned special title track itself.
I’d love to hear this
stuff on a huge sound system. I think something gets a little lost in
translation when listening through headphones – most likely copious amounts of
bass! – but short of the man touring this part of the world anytime soon, I
guess I’ll just have to take what I can get for now.
Subconscious clocks in
at ten tracks across nearly 49 minutes, and a large portion of it is pure bliss
… here’s ‘Different Dub’:
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