Sunday, October 12, 2025

Reggae Nation: Scientist Wins the World Cup (1982)

Craig Stephen on an “artistic delight” …

I bought this because a dub album featuring some of Jamaica’s finest musicians and producers was a tantalising prospect in itself. But it was the cover and the subject in hand that really drew me into taking it up to the counter.

It’s hard for this writer to resist a football-based cover but it is also an artistic delight abounding with colour, action and a fantasy story that sadly will never come true.

 Reggae is, of course, inter-connected with the culture, and economy of Jamaica. Alas, football less so in this cricket-obsessed nation, but the Reggae Boyz did qualify for the World Cup finals in France in 1998. Every other effort however has ended in failure despite the immense talent the island nation has been able to draw on.

The hero of Tony McDermott’s artwork is The Scientist himself, aka Hopeton Brown who heroically strikes late in the final against England, leaving the opposition looking helpless and hapless.

The English players are caricatures of the national team of the time - there’s Kevin Keegan with his trademark permawave hairdo vainly tugging at The Scientist’s jersey, while Viv Anderson vainly attempts to stop him from shooting. Glen Hoddle looks on aghast and I do believe another star of the era Tony Woodcock is the fourth identifiable English player.

Brown’s team-mates meanwhile are reggae stars from his homeland. McDermott, a northern Englishman who designed extensively for the Greensleeves label, drew Greensleeves-linked artists such as Eek-A-Mouse, Eastwood & Saint, Michael Prophet, Yellowman and Ranking Dread as Scientist’s team-mates, with producer Junjo as the referee. Several of the Jamaicans are wearing an assortment of hats, as does the whistler.

Obscured in the top left hand side is some detail about the match so far. The small scoreboard reveals that Jamaica are leading 6-1 with The Scientist bagging all the goals. There’s nothing quite as pleasing in sport as thrashing your former colonial overlords. The back cover is an image of Brown holding the famous World Cup trophy aloft.

One curious aspect of the cover are the jerseys. The opposition’s top is the one they wore at the 1982 World Cup, but the Jamaican side’s strip was a far cry from the traditional shirt of mainly gold tinged with green. The diagonal striped shirt actually resembles the national strip of Trinidad and Tobago with the thin gold stripe replacing the white of the flag. Released in 1982 to coincide with the finals held in Spain, it was wishful thinking that either side would contest the final, with England’s supposed stars faltering at the second stage without scoring against either West Germany or Spain. The Jamaicans didn’t bother to enter qualification due to lack of money and a poorly prepared team.

And on top of the magnificent cover is some music. Monumental music.

The Scientist was a protégé of the legendary King Tubby in the 1970s and, released to his own devices, made a series of albums in the early 1980s. These were issued by Greensleeves with titles themed around his fictional achievements in fighting Space Invaders, Pac-Men and Vampires with animated and colourful covers which were as memorable as Wins the World Cup.

The reissue sleeve itself introduces the tracks as “ten dangerous matches plus five extra time and the golden goal”. There isn’t any track listing on the sleeve or the record so I guess you can name them yourself.

The Scientist had the backing of the Roots Radics, a Jamaican band that had released two dub-heavy albums of their own in 1981 and 1982. The producer (or “referee”) is the aforementioned Henry ‘Junjo’ Lawes, who played a key role in the shift from roots reggae to the emerging dancehall sound. Many of the rhythms on this album were versions of popular tracks from his productions. 

Despite the limitations of dancehall music of the time, the dubs are diverse and musically tight. Dub is mainly about sonics and bass lines and these are delivered with aplomb. There are versions of vocal tracks by Johnny Osbourne (the priceless Give A Little Love among others), Hugh Mundell (Red Gold and Green) and Wayne Jarrett which offer a divergence from some of the non-vocal tracks and the, at times, predictability of such tracks.