I’m probably going to come across like a grumpy old malcontent here. Par for the course, perhaps.
First things first – I love New Order. I’ve got almost everything they’ve ever released in one format or another, I’ve seen them perform live, at their peak, and on any purely non-scientific gut-feel basis, they’re probably the band I’ve listened to more than any other across the past 35 years. Hell, I even named my blog after one of their early minor “hits”, albeit an early minor hit that might just about be the greatest single track ever committed to vinyl. And the band’s debut album, Movement, is unquestionably my number one album of all-time.
And so, all of that
said, when Ian Curtis died, and Joy Division morphed into New Order across the
second half of 1980 and into early 1981, I really wish the band had taken some
time to find a new vocalist who was a naturally “gifted” singer. I completely
understand why that didn’t happen, obviously, and I also understand that the
passage of time and an ongoing familiarity means that Bernard Sumner’s vocal is
now intrinsically and irreversibly linked with the band’s sound and all of its
most memorable landmark tunes. My issue is that he’s just not a particularly
good singer. That is all too painfully obvious on the band’s latest live
release, Education Entertainment Recreation.
Try as I might, as
much as I don’t want it to be the case, Sumner’s vocal frailty is the biggest
takeaway I have after listening to Education Entertainment Recreation. A
frailty which is far less obvious - although still evident - on much of New
Order’s studio-produced output.
Right. Now for the
positives, because wherever you find New Order, you’ll always find a positive: Education
Entertainment Recreation was recorded at London’s Alexandra Palace (the “Ally
Pally”) back in November 2018 and it contains one of the most comprehensive
career-spanning setlists found on any of the band’s live releases. And the
music itself - beyond those vocal shortcomings - is absolutely stunning in
every respect.
All of the big
guns are fired – ‘Regret’, ‘Crystal’, ‘Sub-Culture’, ‘Bizarre Love Triangle’, ‘Plastic’,
‘The Perfect Kiss’, ‘True Faith’, ‘Blue Monday’, ‘Temptation’, et al. Amongst
many others – there’s 21 tracks in total, a double album (2x CD/3x vinyl), including
a few gems from the Joy Division cannon, notably ‘Disorder’, and the three
closing tracks ‘Atmosphere’, ‘Decades’, and ‘Love Will Tear Us Apart’. Sadly,
nothing whatsoever from Movement.
There’s a bit of Sumner
stage banter as he interacts with what sounds like a massive crowd, and there’s
the occasional crowd singalong also in evidence at various points. There is a certain
rawness to the whole deal, a sense that the band remain a tremendous live
proposition, with an off-the-cuff, unscripted spontaneity, even. It is
everything a decent live album should be.
Except for that
one small but still very important (aforementioned) detail.
Then again, it is perhaps
a little churlish to ever expect a perfect live album.
I did warn you.
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