Gig Review: Beat Rhythm Fashion, Meow, Wellington, 16 March 2019

There was a strange vibe in and around Wellington city on Saturday night. Everything was a little bit flat, sombre, and low key. As was to be expected in the immediate wake of the Christchurch terrorist attacks less than 36 hours earlier. Sure, there were a few wild revellers about, those keen to escape the stark reality of what had happened by whatever means possible, but as I slowly made my way to the venue via the waterfront and the Cuba Street night market, the early-doors vibe on the periphery of Wellington’s party strip was as subdued as I’ve ever experienced it. 

Having said that, the opening act at Meow, No Broadcast, did their absolute best to change things up a level with a raucous opening set of pure adrenaline-fuelled power rock. That was followed by a far more serene, but nonetheless still very enjoyable, support slot from locals Orangefarm.

Beat Rhythm Fashion, Meow … photo: Iain Cargill

Beat Rhythm Fashion - Nino Birch (vox/guitar), Rob Mayes (bass), and Caroline Easther (drums) - arrived on stage around 10.30pm and Birch immediately addressed the steadily filling (but never close to full) room with a few poignant words about taking some power back, not only from terrorists - in this case the intellectually challenged far-right white nationalists who attacked Christchurch’s mosques - but from scaremongering politicians and the wider mainstream media narrative which helps fuel such repugnant violence. 

It was a theme he’d return to a few times during the evening without wearing it out, and for the most part BRF let their music do the talking, opening with ‘One Percent’ and ‘Fake Peace’, both from the band’s 2019 album, Tenterhook. Third song in, we got one of the gems from the band’s long lost past in the form of the quite lovely ‘Turn of the Century’, with Birch having already taken some time out to acknowledge the band’s local roots, old friends in the crowd, and, of course, his original co-conspirator, brother Dan, who passed away in 2011. That tune was one of the highlights of the early part of the set, as was a heartfelt rendition of ‘Dan’, a song Nino had written in the immediate wake of Dan Birch’s death. 

Most of the set consisted of material from Tenterhook with - in no particular order - tracks like ‘Eulogy’, ‘Whatever’, and ‘Property’, sounding as fresh and crisp in a live setting as they do on the album. The “new” single, but another remnant from the past, ‘Hard as Hell’, got an outing near the end, leading into the band’s classic early single, ‘Beings Rest Finally’, to close a thoroughly absorbing set. 

There were cries from the floor for “more”, naturally, with multiple requests for ‘No Great Oaks’ being knocked back, and Birch admitting the band was not equipped for that particular old favourite. The encore we did get was brief, one song; I think it was ‘Chrysalis Ones’, from Tenterhook, but the fact that I’m not entirely sure about that point is rather more to do with my own worse-for-wear state than anything to do with the band itself. 

A pretty good gig, all told. Everything I thought it would be, despite the slightly surreal circumstances surrounding the night.

Album Review: No Broadcast - No Broadcast (2014)

This one came recommended by a couple of local bloggers and it’s a “name your price” download on Bandcamp, so I figured what’s to lose?

No Broadcast is a hard rocking Christchurch-based three-piece and this self-titled debut album was released digitally a few months back. The band has been together in one form or another for the best part of a decade, calling itself Anthesiac for a few years – releasing an EP titled ‘Null And Void’ under that moniker back in 2011 – before a name change to No Broadcast. An EP called ‘1736’ followed in 2013, and earlier this year a second EP, ‘Live at the Dux’, showcased the band performing live in Christchurch.

Finally getting around to a full length release, the Bandcamp blurb notes that the album was “recorded throughout the year of 2012 in Josh's garage and house” ...

The fact that the band has honed its craft with regular gigs and live performances over a prolonged period probably explains why the album itself immediately comes across as very assured for a debut release. These guys are tight, and the album feels like the culmination of many years worth of hard work.

Whatever else it is, No Broadcast is a solid set of very heavy tunes – not metal, but atmospheric hard rock, brooding and foreboding at times, with prog rock influences also at play. Classic rock touchstones abound, and the album seems to get progressively heavier, relentlessly building to the climax of the eight-minute-plus closer ‘Driven’.

Other highlights here are the opener ‘Reset The Sun’, plus ‘Realise’, which I think was an advance single, and the mid-album two-part ‘Drone’, with part two being particularly impressive in its menacing Mogwai-esque approach.

Josh Braden’s vocal, guitar playing, and production is strong throughout, while rhythm pairing Sam Hood (bass) and Chris Self (drums) lay an unyielding foundation, and I’m struggling to recall the last time I heard this much of a racket from a three piece.

Harder rock forms aren’t usually my bag ...well, not post-millennium hard rock forms anyway ... but this was well worth the trouble of the download and it took me a little by surprise. You really should grab a copy from the band’s Bandcamp page and decide for yourself.

 

No Broadcast on Bandcamp here

 

Here's 'Reset The Sun' ...