I suspect a small part of that is simply down to a personal genre preference, with Dreams Are Like Water specialising in the sort of dark post-punk your reviewer reserves a real fondness for. But by the same measure, my love of that sound just as likely means I'm going to listen with a far more critical ear than I perhaps otherwise would.
In fact, it's virtually impossible to
listen to the EP - which traverses four tracks - without spontaneous recall of
early Cure, Kaleidoscope-era Siouxsie, All About Eve, or the ethereal dark beauty
of the Cocteau Twins’ best work. Incidentally, the band name is the title of a
This Mortal Coil tune, and TMC was, of course, a precursor act and 4AD
label-mate of the Cocteau Twins.
So that’s the general template offered
here, or at the very least, the band – Rosebud Garland (vocals, piano, bass),
Michel Rowland (vocals, guitar), and Jamie Scott Palmer (synths/keys, guitar) –
is able to offer up its own variation on those rather terrific touchstones. While
the ethos is perhaps a little derivative, the execution here is distinctly
original.
There's a lightness of touch and an
unhurried charm about proceedings, best demonstrated on the title track and
opener, which features a gentle melody and shared vocals from Garland and
Rowland. There’s an immediate sense that this is going to be dark stuff, yet
Garland’s almost saccharine vocal gives it a lift, and her voice offers the
requisite shard of light amid the wider sense of gloom. It really is a
wonderful early example of the subtlety and balance at play right across the
duration of the EP.
‘(Thrice) In Blood’ is of a higher tempo,
slightly edgy, with swirly post-punk guitar, and intermittent use of piano.
Those somewhat haunting keys feature again on ‘Ineffable’, an atmospheric brooding
equivalent, which is perhaps best appreciated after several plays. That way you
can digest the extra layers of texture, and fully appreciate the way the band
is able to skilfully master the delicate art of repetition. Which is key, a
hook in itself, and quite a powerful thing.
I initially thought ‘(Thrice) In Blood’ was
the best track on the EP, but it turns out I just needed to be more patient
with the closer, ‘Feathered Infant Bells’, which becomes an exercise in slow-build
and tension; we’re nearly a full four minutes into it before Garland's vocal finally
kicks in and the whole thing starts reveal itself in all of its fluorescent multi-layered
glory. There’s some superb vocal FX on offer as the powers of light and dark
once again start to caress and bounce off of each other, and this nine-minute
epic is a perfect finale to what is a truly intense listening experience.
The whole thing is lovingly mixed and
produced by Bryan Tabuteau (Molière Recording), and if there’s an EP or album with
more fitting cover art this year – a painting by 19th century artist
Dante Gabriel Rossetti (called A Sea-Spell, naturally) – then I’ve yet to
discover it.
You can pick up your copy of the EP at the
Dreams Are Like Water Bandcamp page (here) …
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