The
Dandy Warhols subsequently struggled to match the highs of a turn of the millennium
peak (the band was at its best between 1996 and 2003), while The Brian
Jonestown Massacre went on to enjoy a large cult following for many years –
quite probably because of the film’s success, and the enhanced profile that
came with it.
Which
more or less brings us up to date, and to my point … which is to acknowledge
what the now apparently clean and sober Newcombe has been doing in 2015.
Namely, collaborating with Toronto-based singer-songwriter Tess Parks on an
album called I Declare Nothing, which had a mid-2015 release.
I
probably could have selected any number of tracks from the album for the
sampler I offer here, and I really loved ‘Cocaine Cat’, but none capture the album’s
stoner-psych-prog crossover excess quite like ‘Wehmut’. I’m not really sure
what Parks was doing before this, but that voice has certainly been lived in,
and in Anton Newcombe, she may just have found a perfect muse.
Curiously
enough, I’m sensing a fairly strong Dandy Warhols influence here …
(The Festive Dozen is a fairly randomly
selected year-end collection of clips featuring the tunes which featured most
prominently on the (generally pop-loving) iPod playlists of
everythingsgonegreen at various stages throughout 2015) ...
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