It has
a slower tempo (in terms of bpm) than house and most forms of what we might
loosely call techno, but it’s bass-driven and usually relies on a funky guitar
hook or riff to make those knees twitch. That’s a
classic disco trick, as perfected over time by funk guitarists like
Nile Rodgers, Bobby Womack, and Eddie Hazel, among many others. It’s the sound
of Chic, Sister Sledge, Parliament, and more recently, Daft Punk. I
think it’s something most people just feel, rather than hear, so please excuse
my rather awkward attempt to describe it.
It’s
also something that featured a lot in the work of a guy called Nicolas Haelg, a
Switzerland-based producer who was prolific in his output and commitment to
deep house throughout 2015. It seemed like every six weeks or so throughout
the year, Haelg had a brand new track up on his Soundcloud page – usually free
to download – either collaboratively or under his own name in a solo guise.
This is really just disco under another name, produced by a young guy whose
parents would barely have been old enough to embrace the original sound the first
time around. It’s the sound of New York 1975-1979, of mirror-balls, of glitter,
and of sequin smoking jackets. Haelg’s brand of funk is so much of a throwback
you can practically smell the amyl nitrate as it gets passed across the
dancefloor ... okay, so I’m getting a little bit carried away, but you get the
picture.
In
short, and to get to my typically long-winded point, Nicolas Haelg might just about be the funkiest white guy on the planet
right now, and one of his earliest bangers of 2015 was ‘Seduction Magnet’ …
check it out:
(The Festive Dozen is a fairly randomly selected year-end collection of clips featuring the tunes which featured most prominently on the (generally pop-loving) iPod playlists of everythingsgonegreen at various stages throughout 2015) ...
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