And
so it was.
As
it turned out, arriving fashionably late was something of a risk; we missed
whatever warm-up act had played in support, and had only just purchased a
couple of drinks when Chan Marshall and her band suddenly appeared on stage,
launching into ‘The Greatest’ before we’d even had a chance to settle into the
small-to-moderate sized crowd. The gig certainly wasn’t a sell out (and I
suspect part of that was due to the Wedding Present playing across town).
‘The
Greatest’ set the tone for the evening, all moody build up and atmosphere, an
ebbing and flowing of Marshall’s always heartfelt vocal delivery as the band immediately
warmed to its task. From there it was into ‘Cherokee’ and a journey through
most of her 2012 album, Sun; ‘Ruin’, ‘3, 6, 9’ and ‘Nothin’ But Time’ being
among the show’s highlights.
Yet
there was no one single show-stopping highpoint in the performance, and at no time
was I standing there spellbound by what was happening on stage, or in awe of what
I was hearing. It all felt a little bit cold and clinical. Chan Marshall tends
to get lost in her performance, or at the very least, lost in the role play of
tortured artist, and there was a sense she was acting it out a little.
The
band was tight – very Cure-esque, I thought, which placed Sun in a slightly different
context, so I must return for another listen – but the star was Marshall
herself, just as it should be, dominating the stage and squeezing every last
raw emotion out of that unique voice. It is just that the gig never really
peaked, and it felt like it was just another city, another venue, another
night. Business as usual for Cat Power.
There
was a point where Marshall attempted to cajole the crowd into an obligatory “cigarette
lighter moment”, taking her own lighter out, giving it the requisite spark,
only to then be confronted by blank looks and wider crowd apathy. They just
weren’t feeling it like she was. Either that, or there are clearly no smokers
anymore, and those pesky lighters just weren’t on hand.
And
then right at the end, no warning that the (70-minute?) gig was close to coming
to an end, no sign of any encore … nothing, just a blast of what appeared to be
some bad taste Hip hop track at the conclusion of her set, in what was almost
certainly a shameless ploy to remove us from the venue as quickly as possible. It
was done.
The
lack of an encore was disappointing. I had banked on her ‘New York New York’
cover being wheeled out, or perhaps one or two tracks from the back catalogue could
have been given an airing, but it seems the passion just wasn’t there, and we weren’t
going to get one. We weren’t even allowed to superficially go through the
motions of screaming for more.
The
sound at the Town Hall wasn’t the best, or even remotely close to the best it’s
been in the past – it was “muddy”, just as another blogger has described it –
but for some reason that didn’t bug me as much as it usually would.
I
had few expectations at the outset and that was perhaps just as well. I suspect
a few of the more committed Cat Power devotees may have been underwhelmed by
what was delivered, but my own starting point was that I had nothing to lose,
and I wound up enjoying the night. For all of the flaws, I was generally pretty
happy just to live in Marshall’s performance for an hour or so, to stand alongside
her, and to take it all in. I just went with it … and it worked.
Here's something we missed:
No comments:
Post a Comment