2012
was great year for female solo artists. Jessie Ware, Claire Boucher (Grimes), Natasha
Khan (Bat For Lashes), Regina Spektor, Cat Power, and Lana Del Rey, are just a
few of the more prominent names to gain both critical acclaim and/or commercial
plaudits for their album releases during the year.
Some
we knew a little bit about before, but others, not so
much. Cue perhaps an awkward acknowledgement that Adele’s grip on the pop
charts – over what is now a THREE year period – may have been a contributing
factor to any perceived opening of the floodgates.
And
flying a little further under the radar we had Paloma Ayana Stoecker – aka
Delilah – a prodigiously talented 22-year-old singer/songwriter with a breathy
vocal, who released arguably the strongest set of songs of all in the form of
her album From The Roots Up. An album that was pretty much conspicuous by its
absence on the multitude of other more renowned blog year-end lists.
But
that, of course, doesn’t mean it wasn’t any good. At one point mid-year I just
couldn’t get enough of this album (as I said in my review here) … an obsession
that passed eventually, but not before it had provided the soundtrack to a
large chunk of my obligatory mid-winter blues.
In
recent months however, I’ve moved on, and the thought of listening to it again
holds very little appeal. I made a copy for my 15-year-old daughter and suggested
she might like it.
That’s
as it should be … despite my bravado about pop music being non age specific, it
was never really an album for a 40-something bloke. But that doesn’t mean I
couldn’t appreciate it for what it was ... something close to an unheralded pop
masterpiece.
For
the record, my daughter loves it – for its themes, for its of-the-minute
relevance, for its sense of teenage angst, but I suspect she loves it mostly
because, as a student of music herself, the album is nothing short of being a
compositional work of art.
And
of course it probably helps – from her perspective – that Delilah’s roots are
firmly planted in the dubstep camp!
(That
said, From The Roots Up is NOT a dubstep album. I suspect if Delilah had wanted
to go down that path she would have called upon genre heavyweights Chase & Status,
the outfit that helped launch her career in the first place).
Here’s
Breathe:
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