Showing posts with label Festive Dozen 2014. Show all posts
Showing posts with label Festive Dozen 2014. Show all posts

Wednesday, December 24, 2014

The Festive Dozen 2014 Finale: Bass Culture Players ft Payoh Soul Rebel - Forgiveness

I’m not a huge fan of religion. In whatever form it takes. Whether it’s Christianity, Islam, Buddhism, or some other “brand” of worship. I just don’t go there. In so many ways religion has become such a destructive force, it is difficult to view it through anything other than very cynical eyes. I love music, pop culture, books, football, and my family – not necessarily in that order. Those things, while not providing much in the way of rules for living, seldom let me down. On occasion I’ve even been known to become quite precious about that bastard of a game we call cricket. I’m especially passionate about beach cricket and driveway cricket. But not religion.

I believe in science, which may or may not make me a humanist, I’m really not sure. I suppose the closest I’ve ever been to unravelling the mysteries of “spirituality” was many years ago when I was convinced I could become Rastafarian. As you do. For a while I studied what that actually meant, the general “ethos” behind it, and even contemplated visiting Ethiopia in search of further inspiration and/or wisdom. It turned out to be a rather temporary condition. Somewhere along the way the plan was thwarted and binned – probably because I was white, ginger, broke, and way too wasted to make any of it a reality.
But it turns out I’m also a hypocrite because like the vast majority of other heathens in the western world I also celebrate Christmas. I’m not sure how that comes about. Probably just habit, and because it comes with the bonus of a few days of holiday. The chance to spend quality time with the family while they drool over the wonders of materialism, and I lose myself in the delights of long since forgotten about black and white movies on television. There’s also, weather permitting, the distinct possibility of some driveway cricket. But the Christmas break – and by extension, an acknowledgement of Christianity – is the catalyst for all of that. It seems a very odd thing for a non-believer to become a temporary believer when it suits, but there it is.

I often confront a similar dilemma, or condition, when it comes to listening to roots reggae music – so much of it deals with faith and all matters spiritual. Yet I actually love all of that stuff about praising Jah, connecting with the “most high”, and the endless number of biblical references. I’m not quite sure why I enjoy those songs of praise in a musical form, but they resonate, and I connect with them in ways I seldom do with other forms of musical expression … but ask me to sing a hymn? Hmmm.
A few years ago, a friend suggested that "everything happens for a reason" and to be honest I was fairly dismissive of the notion. It reeked of that mysterious “higher power” and I just couldn't grasp the concept. But I totally get it now. It wasn't about not having any control over events or being subjected to some kind of pre-determined destiny, it was about using the experience life was throwing at me in order to understand myself better. Using events to shape personal growth.

And this year, more than ever, I’ve continually been given cause to think a little bit more about that higher power. About what it all means, this thing called life. About mortality. And about those pesky issues such as personal morals. About truth, and dare I get to the point (please do – Ed), about that staple of all faith, that thing called forgiveness. It’s something I've been struggling with - forgiving others for perceived (and real) injustices, while also seeking forgiveness from others. Most importantly, after much soul searching, I came to realise that I couldn’t move on or embrace any of the “personal growth” referred to above, unless I learned to forgive myself and others … even if that meant doing it in my own non-religious arse-about-face kind of way.
So anyway, to stop short of turning my final pre-Christmas post of 2014 into some sort of sermon with loads of new age gobbledegook, and to conclude the Festive Dozen countdown, here’s the Madrid-based Bass Culture Players with the everythingsgonegreen tune of the year – not just for its lyrical significance and personal relevance, but because Payoh Soul Rebel’s Marley-esque vocal blew me away each and every time I heard it … Merry Christmas everythingsgonegreen reader, enjoy the festive break, I’ve just been told it’s my turn to bat ...




Saturday, December 20, 2014

The Festive Dozen 2014: She's So Rad - Levels

Back in early September I spent a weekend up in Auckland, and I managed to take in a couple of live gigs. On the Friday night I went to the ‘Going Global’ showcase at Galatos, which basically meant a number of up and coming young local bands playing short sets in a multi-roomed venue over the course of some three to four hours. Sadly it was impossible to see them all, but the most impressive acts for me on the night were Jesse Sheehan and his band, teen-wiz Race Banyon, and these guys, She’s So Rad … with ‘Levels’ going on to become one of my favourite late-year earworms. Not a bad video clip either …



Tuesday, December 16, 2014

The Festive Dozen 2014: The Analogue Fakir - The Forms

The music of Muhammad Hamzah (aka Celt Islam, the Analogue Fakir, Nine Invisibles) has been highlighted a fair few times already on everythingsgonegreen. While it would probably be pushing it to suggest that the genre of Sufi dub wouldn’t exist without him, Hamzah is surely the current master of its form. 2014 was another busy year for the man in question with several new Celt Islam releases, including an album called Generation Bass.

However it was while wearing his Analogue Fakir moniker back in 2013 that he released an album called Worlds We Know, a barely noticed electronic/psydub gem, which eventually made its way to my pod late last year. That meant it was prime listening material for me throughout the early part of 2014, pretty much providing the roadtrip soundtrack to most of last summer. Here’s ‘The Forms’ … 
 
 
 
 

Saturday, December 13, 2014

The Festive Dozen 2014: Koncrete Roots - Guns Don't Argue

I blogged earlier about the Dub-O-Phonic Netlabel when I included Sunjaman in the Festive Dozen, and this mid-year release on the same imprint was another to feature heavily on the various playlists bouncing around my pod. It’s a cut from Rudie Duplates, a wicked little EP containing five previously unreleased Koncrete Roots dubplates … and ‘Guns Don’t Argue’ is a reconfiguring of something from way back, something special and a little crooked …


Sunday, December 7, 2014

The Festive Dozen 2014: Tackhead - For The Love of Money

This year also saw the return of industrial funk supergroup Tackhead. In 2014 terms, that meant a new album, For The Love of Money, and bunch of senior statesmen doing what they do best, what they love … keeping it simple, with no pretensions about reinventing the wheel.

For The Love of Money was to all intents and purposes a covers album, with new versions of past work included, but it also proved to be an exceptional piece of work from perhaps the most underrated group of my lifetime.

The title track is no less relevant today than it was all those years ago when the O’Jays first released it, aided unquestionably by Tackhead’s spectacularly unique take on it …



Thursday, December 4, 2014

The Festive Dozen 2014: The Nomad - Brok Out (featuring Lotek)

It would be impossible for everythingsgonegreen to reflect back on 2014 without including at least a snippet of something from The Nomad. The year under review was a huge one for the artist concerned; he released a top notch album (7), toured extensively, and reminded everyone of his standing as one of the country’s most prominent electronic/bass music producers with the release of a “best of” package.

His gig at Wellington’s Boat Café back in September was quite probably the best gig I went to all year (and there were a few goodies to choose from).
I was also lucky enough to sit down with him to chat about his music, where he’s been, and where he’s headed, something that led to a feature piece being published in NZ Musician magazine (click here).

I thought 7 was a fantastic piece of work, and included on that album was a grimey gem called ‘Brok Out’, which featured Melbourne-based Londoner Lotek …


Tuesday, December 2, 2014

The Festive Dozen 2014: Paolo Nutini - Scream (Funk My Life Up)

Paolo Nutini is an artist to defy those pesky stereotypes.

Firstly, that wonderful Italian name – he’s from Milan right?
Nope, he’s from Glasgow.

Oh, he must make downbeat twee indie rock right?
Nope, he makes the sort of sassy funk that Prince once specialised in.

Oh, he must be a black Glaswegian right?
Er, nope, Paolo Nutini is a master of that genre we once called “blue-eyed soul” …

Oh, man, that sounds a bit dodgy, a white Glaswegian making funk music, and why haven’t I even heard of him before, he must be pretty crap right?
Um, actually he’s a three-time BRIT nominee, a firm favourite at festivals around the globe, a guy who performed at the 2012 Olympic Games opening ceremony, and someone who released what was quite probably the best album of his career (Caustic Love) in 2014 … but hey, don’t take my word for it, decide for yourself …



Saturday, November 29, 2014

The Festive Dozen 2014: Noah Pred - Devil's Quadrant (Tomas Jirku Remix)

Canadian producer Noah Pred has tended to fly under the mainstream radar, but over the past couple of years he’s steadily started to forge a solid reputation within techno circles, not only as a profilic ‘working’ DJ, but also as the main man behind the Thoughtless Music imprint.

Noah Pred’s 2013 album, Third Culture, gained some wider traction as a nominee for best electronic album at the annual Juno awards, but it was a track from a remixed version of that album (available on Beatport here) that made me sit up and take notice this year, a mid tempo Tomas Jirku-mixed gem called ‘Devil’s Quadrant’ … (best appreciated via headphones):


Friday, November 28, 2014

The Festive Dozen 2014: Joris Voorn - Ringo

I’m not sure exactly how a dance music purist would categorise Joris Voorn’s ‘Ringo’ … what genre it fits into – is it minimal techno, or melodic techno, or some other form of up-tempo electronica?

It probably doesn’t really matter, whatever else it is, the track became a firm pod favourite for me throughout the early part of 2014, after being released as a single late in 2013. I just couldn’t get enough of its warm textures and subtle trippy vibe.
‘Ringo’ prods and teases but never really quite takes off into full-on euphoric banger mode, and that’s what makes it special: it’s a club at 5am, a morning-after groove, something to smooth the rough edges from the sharp peaks of the night before.

The Amsterdam-based Voorn had a busy 2014, with a couple of North American tours, club and festival gigs right across Europe – from the UK to Ibiza and beyond – yet he still found time (on November 17) to release album number three, Nobody Knows, his first full-length effort for seven years … and yes, it includes ‘Ringo’.

Joris Voorn is on Facebook (here) and Nobody Knows is on iTunes (here)




Sunday, November 23, 2014

The Festive Dozen 2014: Hercules & Love Affair - Blind (Frankie Knuckles Remix 2008)

As is so often the way when a legend passes, the weeks and months following the death of house music pioneer Frankie Knuckles back at the end of March saw fresh life return to a lot of the man’s music. With three decades worth of original and remix work out there to be mined and celebrated for years to come, Knuckles’ legacy as the “godfather of house” is well and truly secure.

Of the multitude of remixes to resurface, one of my own favourites, and a track on high rotation during the mid-2014 period was the sublime Knuckles remix of Hercules and Love Affair’s ‘Blind’, which originally surfaced as far back as 2008, but it’s a tune that remains as irresistible today as it was back then …
 
R.I.P Frankie Knuckles
 
 
 

Friday, November 21, 2014

The Festive Dozen 2014: Sunjaman - Heavyweight Sound

Sunjaman is a bass music/dub producer from Athens, Greece, and in March of 2014 he released an EP called Outta Here, a red-eyed concoction of spiritual roots in a contemporary dub/steppa-style. As much as I was taken by the title track and the different versions of ‘Witness The Day’ on the seven-track EP, I’ve chosen the melodica-drenched opener ‘Heavyweight Sound’ to represent Sunjaman as one of my surprise pod-favourites during the year.

‘Heavyweight Sound’ features vocals from fellow Greek dub identity Northical, and it offers firm evidence – if any was needed – that you don’t need to live in deepest Trenchtown to vibe out on Jamaican roots. Outta Here, and a whole lot of other wicked dub and dub-related goodness is available (for free) on the Dub-O-Phonic Netlabel blog (here).


Monday, November 17, 2014

The Festive Dozen 2014: James Blake - Limit To Your Love (Kygo Remix)

With just six weeks until the end of the year, it’s time to start thinking about those essential end-of-year lists … I always do some sort of album wrap for everythingsgonegreen so I’ll get to that at some stage.

I’ve actually got a number of half completed album reviews for “new release” 2014 albums, so I should probably get on with completing one or two of those as well. So many albums, so little time. I may end up lumping quite a few short reviews together in one or two posts just to get them up while they still have some semblance of relevance.
Last year I looked at what had been hot on my pod through the year by listing a ‘Random 30’ (tracks) and posting related youtube links for my most-listened-to “tunes of the year”. But that was way too hard and this year I’ll cut that back to a nice even dozen. Let’s call it a Festive Dozen. An everythingsgonegreen equivalent of the 12 days of Christmas … or something.

Let’s start with one of my absolute favourite remixes of the year. James Blake’s ‘Limit To Your Love’ has been around a lot longer and has been subjected to many different reconfigurations over the course of its hipster life, but none captured my attention quite like this version.
This was hot pod fodder for me during some bleak winter months; so warm and lush, if this doesn’t get your hips swaying, even just a teeny bit, I humbly suggest you might need to check for a pulse …