everythingsgonegreen

a place for random thoughts on music, pop culture, and life as we know it.

Saturday, January 26, 2019

Paying It All Back and Buying On-U

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It’s fair to say that one of my most anticipated album releases of early 2019 is the seventh instalment in On-U Sound’s Pay It All Back se...
Saturday, January 19, 2019

How Do You Feel

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In keeping with something I’ve blogged about previously , and in fond memory of my old friend Scott Bulloch, who was a big part of the Hit +...
Friday, January 11, 2019

Loop and Main Divide

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Released just prior to Christmas, here's a Loop Recordings/Main Divide collab with a bunch of work from a pretty impressive group of fun...
Tuesday, December 18, 2018

Albums of 2018

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It’s that time again. Time to revisit some of the albums that made the biggest impression on everythingsgonegreen across 2018. The obligator...
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Monday, December 17, 2018

Choice Kiwi Cuts 2018: Coco Solid - Just One Kiss

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Coco Solid's 2018 album, COKES, was an eclectic hybrid of urban pop, soul, hip hop, and synthpop. The dreamy 'Just One Kiss' was...
Sunday, December 16, 2018

Choice Kiwi Cuts 2018: Marlon Williams - Nobody Gets What They Want Anymore

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Make Way For Love was one of the year's best local albums. Marlon Williams won two NZ Music Awards, plus a highly coveted Silver Scroll ...
Sunday, December 9, 2018

Choice Kiwi Cuts 2018: Armchair Insomniacs - Frequency

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The self-titled debut album from Auckland's Armchair Insomniacs was a breath of fresh air, and a hybrid of so many different musical sty...
Thursday, December 6, 2018

New from Margins ...

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Out late last month as a name-your-price digital release on Bandcamp, six sumptuous mellow electro-house tracks from New Zealand’s Margins ...
Wednesday, December 5, 2018

Choice Kiwi Cuts 2018: Yumi Zouma - In Camera

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Globetrotting electro-pop band Yumi Zouma is another local outfit to gain a lot of traction overseas without really hitting the heights at h...
Monday, December 3, 2018

Gig Review: The Catherine Tate Show Live, Opera House, Wellington, 30 November 2018

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As the title would suggest, Catherine Tate’s two-hour-plus performance at a sold out Wellington Opera House last Friday night wasn’t so much...
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